30,346 Free Images of Sony Center

yale center for british artetchings in the yale center for british artetchinghand-coloredpaperisaac cruikshankjames gillraydrawings in the yale center for british artgraphitelaid paper
A Lady and Children, William Dickinson, 1780
mezzotint prints in the yale center for british artwilliam dickinson
The Faith of Treaties Exemplified, or John Bulls last effort to Oblige his False Friends, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Give a Dog an Ill Name, They'll Hang Him, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
S.E. Fakeer's (Fakir's) Rock in the River Ganges near Sultaungunge, Thomas Daniell, circa 1790
drawings in the yale center for british artorientalism
A Will O'The Wisp or John Bull in a Bog!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The Castle of Isola, Italy, Rudolph Ackermann, 1822
lithograph prints in the yale center for british artrudolph ackermann
Buonaparte at Rome Giving Audience in State, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
A Tree Struck by Lightning, Cornelius Varley
drawings in the yale center for british artcornelius varley
The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Portrait of an Elderly Gentleman and Portrait of an Elderly Woman, James Havard Thomas
drawings in the yale center for british artjames havard thomas
Edwinsford, the Seat of R. Banks Hodgkinson Esqr., William Watts, 1776
etchings in the yale center for british artwilliam watts
Boschbeek & Gorenendaal: One of Two Landscape Plans, Gerrit Jan Schouten
drawings in the yale center for british artgerrit jan schouten
Protea Gaguedi, Luigi Balugani
drawings in the yale center for british artluigi balugani
Uschis (Coccinea abyssinica), Luigi Balugani
drawings in the yale center for british artluigi balugani
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard, James Gillray, 1798
etchings in the yale center for british artjames gillray
A Present of a Haunch of Venison!, Richard Newton, 1796
etchings in the yale center for british artrichard newton
Julius Caesar: Act IV Scene III: Brutus' Tent..., Edward Scriven, 1802
engravings in the yale center for british artedward scriven
A New French Bussing Match or More Cursing and Swearing for the Assembly, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Rochester, Stroud, and Chatham, Medway, John Charles Varrall, between 1827 and 1838
etchings in the yale center for british artjohn charles varrall
Tree Study, Cornelius Varley
drawings in the yale center for british artcornelius varley
Evening or the Sportsman's Return, Joseph Grozer, 1795
mezzotint prints in the yale center for british artjoseph grozer
A Portrait ------------, James Gillray, 1799
etchings in the yale center for british artjames gillray
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe, James Gillray, 1796
etchings in the yale center for british artjames gillray
Mortlake, William Westall, 1823
lithograph prints in the yale center for british artwilliam westall
The Irish Bull broke Loose, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
The Rape of Helen, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Dismantling of the Temple of Jupiter, Aegina, Robert Brandard, 1835
engravings in the yale center for british artrobert brandard
The Finishing Touch, James Gillray, 1791
etchings in the yale center for british artjames gillray
Frith the Madman Hurling Treason at the King, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Getting the Length of the Duchess's Foot, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Dutch in an Uproar or the Batavian Republic Crying for Winter, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
Petition Mongers in Full Cry to St. Stephens beware of Wolves in Sheeps Clo(a)thing, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester, Michael Vandergucht
etchings in the yale center for british artmichael vandergucht
Fall of the Brahan, Thomas Medland, 1802
aquatint prints in the yale center for british artthomas medland
A View of the Great Room, etc. at Hall-Barn, William Woollett, 1760
engravings in the yale center for british artwilliam woollett
A Section of a Magnificent & Superb Water Closet ---, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Room in Fulwood's Rents, Gray's Inn, John Wykeham Archer, 1850
etchings in the yale center for british artjohn wykeham archer
Saltash, Cornwall, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
Pylades & Orestes (Stadtholder & His Secretary), James Gillray, 1797
etchings in the yale center for british artjames gillray
Ashestiel, John Horsburgh, 1834
engravings in the yale center for british artjohn horsburgh
Bemerside Tower, John Horsburgh, 1834
engravings in the yale center for british artjohn horsburgh
The Alto Relievo, Benjamin Smith, 1796
prints in the yale center for british artbenjamin smith
General Mack, Scampering Back!, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Susanna and the Elders, Richard Earlom, 1769
mezzotint prints in the yale center for british artrichard earlom
View of St Stephen's Chapel as it appeared after the Fire in October 1834, Frederick Mackenzie, 1843
lithograph prints in the yale center for british artfrederick mackenzie
St. Mary le Strand
engravings in the yale center for british artjoseph john skelton
Louis XVI Taking Leave of His Wife and Family, James Gillray, 1793
etchings in the yale center for british artjames gillray
Two of a Trade Can Never Agree, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
A Witch, Upon a Mount's Edge - Vide: Fuzelli, James Gillray, 1791
etchings in the yale center for british artjames gillray
No Flower that Blows, Is Like this Rose, James Gillray, 1796
etchings in the yale center for british artjames gillray
A Dash Up St. James's Street, James Gillray, 1797
etchings in the yale center for british artjames gillray
Dustanborough Castle, Robert Brandard, 1830
engravings in the yale center for british artrobert brandard
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations, James Gillray, 1795
etchings in the yale center for british artjames gillray
[One of] Miscellaneous Sketches in Wrapper, Luigi Balugani
drawings in the yale center for british artluigi balugani
Untitled Images of Livestock, Plate 13, Henry Walter, 1824
lithograph prints in the yale center for british arthenry walter
Beaugency, Robert Brandard, 1833
engravings in the yale center for british artrobert brandard
Semezza (Ruttya speciosa), Luigi Balugani
drawings in the yale center for british artluigi balugani
Westminster Abbey, Charles William Sherborn, 1877
etchings in the yale center for british artcharles william sherborn
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull, James Gillray, 1797
etchings in the yale center for british artjames gillray
Whitehaven, Cumberland, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
Drawing for Twelfth-Cake at St. Annes Hill!!, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Azzo (Clemantis hirsuta), Luigi Balugani
drawings in the yale center for british artluigi balugani
My Grandmother; Alias the Jersey Jig, Alias the Rival Widows, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Gumti River, Upper India, Thomas Daniell
drawings in the yale center for british artorientalism
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself, James Gillray, 1798
etchings in the yale center for british artjames gillray
Impatiens rothii, Luigi Balugani
drawings in the yale center for british artluigi balugani
South India, Thomas Daniell
drawings in the yale center for british artorientalism
Shepherdess (Miss Mary Palmer as the Young Shepherdess), Joseph Grozer, 1799
mezzotint prints in the yale center for british artjoseph grozer
A Sphere, Projecting against a Plane ---, James Gillray, 1792
etchings in the yale center for british artjames gillray
Strong Symptoms of Loyalty, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
Whims of the Moment or the Bedford Level!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
No Reform, No Reform, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Cordia Abyssinica, Luigi Balugani
drawings in the yale center for british artluigi balugani
Pass of Killicrankie, Thomas Medland, 1802
aquatint prints in the yale center for british artthomas medland
Junction of the Greta and the Tees, John Pye, 1834
engravings in the yale center for british artjohn pye
Peep of Day Boy's Preventing an Union by Adding Fire to the Sun. / An Irish Method of Throwing Cold Water on a Subject!, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Plymouth, Devonshire, William John Cooke, between 1827 and 1838
etchings in the yale center for british artwilliam john cooke
Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Ashestiel, John Horsburgh, 1834
engravings in the yale center for british artjohn horsburgh
Episcopal Delight a Scene Near Oatlands, or The Babes in the Wood, with Rawheadon - Bloody Bones (from: Caricature, vol. 3), Isaac Cruikshank, 1789
etchings in the yale center for british artisaac cruikshank
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton, James Gillray, 1795
etchings in the yale center for british artjames gillray
The Prince at Grass --- The Prince in Clover, James Gillray, 1787
etchings in the yale center for british artjames gillray
Sin, Death, and the Devil, James Gillray, 1792
etchings in the yale center for british artjames gillray
Vices overlook'd in the New Proclamation, James Gillray, 1792
etchings in the yale center for british artjames gillray
Beaugency, Robert Brandard, 1833
engravings in the yale center for british artrobert brandard
Preliminary Study for "A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire", Michael Angelo Rooker
drawings in the yale center for british artmichael angelo rooker
G. Engelmann, Godefroy Engelmann
lithograph prints in the yale center for british artgodefroy engelmann
Mountains on the Coast, Thomas Daniell
drawings in the yale center for british artorientalism
Anticipation - Ways & Means - or - Buonaparte Really Taken!!, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
A Great Actor between Tragedy and Comedy, John Doyle, 1834
lithograph prints in the yale center for british artjohn doyle
Councellor Ego. - i.e.: - Little I, Myself, I., James Gillray, 1798
etchings in the yale center for british artjames gillray
The Houses of Lords and Commons, Mary Green, 1815
engravings in the yale center for british artmary green
Satans, Return from Earth, Discovered in Council - With Belzebub and Belial -- A Sketch after Fuseli, John Cawse, 1799
etchings in the yale center for british artjohn cawse
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child, James Gillray, 1798
etchings in the yale center for british artjames gillray
The Arms of Glasgow, Thomas Bewick, 1909
woodcuts in the yale center for british artthomas bewick
The Friendly Agent, James Gillray, 1787
etchings in the yale center for british artjames gillray
Glaucus and Scylla or the Monster in Full Cry, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
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